Mental AS

Once upon a time I had a Dad who was alive in this world and he loved music.

He loved to listen to it cranked up so that it drowned out whatever he was tinkering with in the shed. If you listened hard you could hear his sighing, gravelly voice joining in with that riffy blues that used to get under the skin at the base of my neck and make me want to shrug like Atlas. The blues gave them to me then, and they give them to me now.

Thankfully, he loved many other styles of music, with a record collection stretching from Abba to Zappa like a long line of Friday afternoon bank customers, craning their necks to see when it would be their turn on the table to start the party. His tastes expanded mine from 3XY, giving a breadth that allowed me to take in more than the latest chart topper, and aged my repertoire so that I often have people older than me take in my skin, and try to figure out my generation when I know the words to something before my time.

He taught me that music is to be shared and pooled and mixed together and made available to all. He was always a one for making tapes of the albums he bought home from Brashs most Fridays, taking them out of their slippery sleeves to check for scratches before reverently placing them on the turntable. I think he held his breath a little until the crackles gave way to the opening bars. And then he was away. Lost in the story and the emotion.

The first time I heard Mental As Anything we were at our holiday place at Torquay, where the salty west-coast winds flapped the canvas roof up and down all summer long, reminding us to get to the beach before the cool change came in. My Dad had made a TDK-60 recording to play in the black tape-recorder that sat on top of the 1950s fridge (Current paint job: royal blue).

“Woah-ho, the nips are getting bigger.” sang Greedy and his buddies, the flippy tune forming an exuberant sound-track to my latest Trixie Beldon. It was the one where they found some dope-smugglers and when I asked Mum how to pronounce “Mara-jewu-wana”, she snatched it away with a black-snake whip, until I could convince her that Trixie and Honey were catching the baddies, not sparking up. I spent most of the rest of those hols, humming along to the Mentals, and laughing to myself about how a song about fishing and the nips they were getting, could be so catchy.

Last weekend, Greedy and a new gaggle of fellas came to a little country town near us. Reg has gone onto other things, and Martin is pretty crook, but Greedy was there, playing his keyboard and belting out all the old tunes as if it was 1986.

At first I thought I might stand politely up the middle-to-back and have beer or two (I started out, just drinking beer.) and maybe lip sync a few songs then head home. However the first notes of the fist song did something to my synapses and within a beat I was back in that summer.

White zinc cream mixed with that hard, peeling skin on my nose. Lips infused with salt. Hair faded to light from the sun. Sandpaper sheets, and still, melting heat making it hard to sleep, whilst parents caroused- the cadence of their laughter and stories a backdrop to the click of the crickets. Eventually silent, only moments before the crows started their morning dance on the thick canvas roof. We would toss and turn and try to scrinch out the light, until the paperboy started his litany, “SunAgeAddyAustral-yan” and bleary-headed Dads in their jocks ran out to grab the news of what they were missing from their city lives.

So when Greedy started, I wove my way through the crowd like an eel, taking my place among the old and the young. The Old who were swaying to the echoes from a simpler life. The Young who were there for the cheap live music, or, in one girls case, because her Mum had loved The Mentals.

Had.

I sighed with her, and kissed her maternally on the head as she told me her story of loss and scattered corpuscles, and we toasted her Mum and we toasted my Dad and we toasted the silly, fizzy soundtrack that could take us back to a time and and place where our hearts were still whole and unscarred.

Where we could live it up.

Thanks Fellas, You’re still Mental As.

…From The Ashers

I’ve been reading a lot about ‘callings’ lately. I’m at an age and stage of life where I think that I should have it all sorted out, and be living the dream.

Which I am.

But I’m not.

I’m living a lucky, beautiful life, in a place I adore and with people that I would do anything for. I can count my blessings like so many sheep and then never fall asleep. I have ticked all of the boxes that ever existed for me, and then ticked some more. Most mornings I lie in bed, in that delicious moment of waking, as the blur of my dreams fall out of my ear and onto the pillow to dissolve like sugar crystals, and I wonder if I am actually awake. Is this life real and true? Do I really get to have all of this? Am I worthy?

And then an annoying, corkscrew of a notion makes three clockwise turns into my right cerebellum and I’m almost dizzy at the knowledge that I’m not telling the whole truth. There is secret that I’m keeping from myself, and it takes everything I am to cover it up with tasks and thoughts and things that must be done RIGHT NOW. Until it collapses and suffocates under the weight of responsibility and action for another day.

It was a full moon this week, and in the fitful sleep of the liar, the rotation of the the corkscrew has been relentless and exhausting, trying with its twists and excruciating turns to force me to notice it. I’ve noticed. And I have resisted. Stress-resist-stress-resist in an endless dance of the shambling 3am drunk who cannot stop for fear that they don’t know where home is any more.

I have a calling.

And I’m ignoring it.

I think I’m afraid that if I bring it out into the light it might not be a shiny as it is in my mind. Or perhaps I won’t know what to do with it once it hits the air. Oxygen might destroy it, or give it wings that can’t be clipped, and I’ll be careening out of control and out of breath, trying desperately to keep up, yet falling behind, falling behind, crawling along with no skin on my knees and the sting of dust it in my eyes where I once held my precious thing.

It’s safer to bury things in the dense flesh of your liver. The darkness keeps it safe.

Doesn’t it?

Do you have a calling?

Are you hiding it too?

…From The Ashers 

Post Script: The top of my blog draft page has little tags. Something Anna put in when she designed this page. I think it’s called the Hello Dolly plugin or something. Maybe it’s the words to the song. Anyway, I’ve never taken much notice of it. I just looked at it now, and it said, “It’s so nice to have you back where you belong.” Interesting.

It’s the day for it, isn’t it? The day when all of your chosen media are full of everything you should-would-could do to make yourself more shiny from this moment forward. The implication being that somehow this whole last year was crappy, and were all personally in need of some kind of therapy. Depending on the algorithm and, what you have been looking at and liking of- it could be your body, your mind, your finances or just your shoes.

I don’t hold with that at all.

I think that almost everyone I know did the best they could in each of the moments. I know for me, some moments were better than others in the Champion Of All Things awards, but on balance, I did okay. And I bet you did too.

The end of the world year can take on portentous feelings if you buy into it all too much. The endless lists of how-to and what-to and who-to can become overwhelming if you let the whelm come anywhere near your neurones. And it will try to flow over you. That’s its nature.

This morning we chose to pop over to the beach for the last time this year, I thought I would take some really cool pics of the kids frolicking in the gentle waves, and Nath getting barrelled. I imagined the sun would be rising over the water, creating diamonds of significant rays all ready to be captured. In my mind’s eye I envisioned a significant moment. Perhaps we would hold hands in the water and send out a frangipani, singing Kumbaya and Auld Lang Syn (neither of which any of us know more than two lines of) and say fare you well 2016. Something to mark the passing of the year, and the passing of my Dad.

Shit. I wasn’t going to mention that, but I have and I have and I have, and of course I always do, for the end of the year now always brings more to it than just the end of the year. It is also the end of a life. Which is why I attach more significance to this day than just an arbitrary date. For if we are to be real and say the truth, there is no inherent meaning in the moments from 11.59.59 to 12.00.01, other than the meaning we chose to make.

Ever since my Dad passed away on the first day of the brand new year, I wake up on the 31st feeling scratchy. Sometimes half a day goes by before I acknowledge the reason why, but whether I chose to look at it or not, the irritation is there from the moment I open my eyes. Sometimes I think I’d like to hurt someone or have them hurt me back, just so I can let the constriction in my throat burst out, and the prickling behind my eyes slosh away.

So we went to the beach. Like any other day, but like a day that I would like to be different, significant, something.

The beach was a fairly windy, which is never a good omen for me because: FRIKKEN WIND, and the surf was little more than a blown-out shorey with a massive sweep. The sand was too hot for children who had chosen not to wear their thongs, against my best recommendations, so: all.of.the.whinging. And then on her first ride, Coco cracked it because the salt water was too rough and TOO SALTY. Liam tried to paddle out the back a few times, couldn’t, and came sloping over to me, shoulders hunched in the posture of defeat.

And that was about where I lost it. Not in a major way, and not out loud, but in enough of a way that everyone knew to ‘Stay away from Mummy right now’.

I went up the beach a ways by myself, and wrote ‘2016’ in the sand with my big toe, and the waves licked it up.

I noticed the toe-nail polish from my Christmas manicure glistening in the sunlight and I thought it looked pretty.

I felt the despicable, messy wind on my two-day-old sunburn and I liked the slight cooling feeling.

I looked out to the horizon and saw a white yacht bobbing over to the edge and smiled at the memory of all the drawings the kids and I have done together over the years.

I saw Nath standing with his back to the dunes, hand up shielding his eyes, watching the waves, watching the kids, watching out for us in the solid, stable and careworn way he does and I realised that even in the shittiest moments, in the seconds where I feel the most broken and fragmented, I have this wonder of a man in my life.

We didn’t sing Kumbaya or even One Love. There were no petals set free. The kids still carried on about things that kids do. My sunburn still stung and we still have ants in our bathroom. There is still paperwork to be done, and tomorrow I will probably have a slug-like hangover rather than fluttering into the new year on rejuvenated wings. And my Dad is still dead.

But there is coffee for tomorrow and champagne for tonight, and we all do the best we can with what we’ve got, and some of the moments will be mundane and muddy and magical. And so it goes. Come by here and Kumbaya.

Fare You Well 2016.

Fare You Well Peter.

Fare You Well, Regular Reader. Travel Well, Travel Light, Smile When You Can.

…From The Ashers

When you make the choice to fully immerse yourself in something, there is a shift within your cells that is terrifying and exciting in equal measure.

In the moment that you decide to go all in, to play full on, there is terror in the knowing that you will lose something of yourself in the process, and that you will gain something too. The fear is in the stepping off. In that free-falling moment when you don’t know quite where you will land, or even how. Will you spring as light as a gymnast on the lush grass, or will it be more like the first time you bring your Christmas-drone in for landing, shaky and off centre, with the no-rain-for three-weeks crispy weeds spraying out in all directions?

A fledgling project, an expensive purchase, a shiny new relationship. They all create the nervicitement of: new me/old me. And right there in the moment between the two, is where the juice is. And that juice is the sweetest and most luscious of all.

In a dusty box at the back of  my mind there is a creature called the Push Me Pull You. I think it could be from Sesame Street, or maybe it lives with Dr.Doolittle, but in my memory it has one body and two heads, facing in opposite directions. So if one head wants to move forward, the other must go backwards.

Jumping in feels a lot like what the poor Push Me Pull You must always have a sense of. In order to move at all, the backward facing head has to trust, and step into the vulnerability of not quite knowing where it’s going, or what the ground is like. It can only feel the irregularity once it carefully places its tiny cloven hoof on the uneven ground. And the forward head has to be sure to lead in the best direction, dealing with whatever comes up in each moment, and making decisions the backward head can’t help with.

Today I sat on the stairs and watched my little girl grow up before my eyes. She went into her bedroom in a flurry of iridescent flamingo pink, and emerged with only a blush of subtle rose on her shoes-a nod to the the days of childhood that she inhabited only moments before.

I sat on the stairs and watched her gather her bag, count her money and smooth her hair. I saw the confident step of the woman she will become, going out into the world without me by her side, her only compass the words we have shared over the years, and the direction she chooses to steer on her own.

I sat on the stairs leaning on my sandy summer-knees, pulled by the heaviness in my heart, as I thought of the way the world looks at her, both real and imagined, and the judgements she will face. I remembered all the times she has cried about how people stare at her, or ask her why she is yellow. And I guessed at all the times she didn’t cry, but pushed the dark feelings deep down into her gall bladder, and smiled the sunshine of defiance.

I sat on the stairs, and the stairs stretched out in front of me like a dark Dr.Suess movie, a conveyor belt of the endless nights and days where I will watch her take that ebullient step over the threshold, without looking back, out, out into her life.

As it should be.

I sat on the stairs and I knew in that moment that my little girl needs very little from me these days. She knows her own heart and her mind is stronger than a nine year old mind ever should be, and that is how this world turns. My little girl is no longer little.

I sat on the stairs and thought of a mother I know very little of, who made a choice this very day to jump off into the abyss of blissful anaesthesia. A mother who knew that no matter how long she sat on the stairs, her little girl was not coming back. I thought of Debbie and her broken heart and I had a tinkling of what that rancid loss might be like.

Can you die of a broken heart?

Can you choose when you step out of this world?

I think you can.

I hope for that mother, as she let the griefs lay all over her like a heavy and cool blanket, it was more exciting than terrifying. I hope she felt the relief.

I hope she got to taste the juice. And I hope it was sweet.

Vale Debbie. Vale Carrie. Travel well ladies.

Last week our kids were in a school play. When they initially put their names down last year, I groaned inwardly, all the while secretly hoping they would lose enthusiasm for the idea, and decide it wasn’t for them.

I could already guess what would be involved: after hours rehearsals, costume preparation (no, no, you cannot make me CRAFT), makeup on show days, parental attendance to the actual thing. For FOUR nights. And then the aftermath of exhausted kids who “are NOT tired” for a week. Probably resulting in an earlier than usual transfusion, for the one with the blood thing.

So possibly not my preference, truth be told. (Can you tell?)

I’d like to say that I’m a better Mum. That I’m the type that embraces everything that my children love, but I’m just not. I’m a bit shit, and I like best it when they like things that I like. Going to cafes, reading on the couch in my trakkies, rollerskating, sitting quietly on the beach looking at the waves and daydreaming. (Which is basically never. Of course the little weirdos don’t like any of those things.)

So, as they say, the show must go on, and the entity that is “The Primary School Musical” gathered its own momentum, and dragged me along with it. I purchased craft-like objects on Etsy and got a glue gun. I took kids to rehearsals on holidays. I bought a shade of foundation that I will shortly return to the Oompa Loompas. I learnt how to tease hair without screaming in the child’s face, “I am trying my best not to hurt you, but this must be done, the piece of paper says so, and I hate it too. Stupid play. Stupid costumes.” *

I personally grew up doing sport, and as such, kept a wide berth of the drama-nerds. You know who I mean. The kids who got called Butterfingers and Mamma’s Boy. The kids who couldn’t play softball or cricket, and always looked like they were someplace else when I signalled to the pitcher that it was ON and that we all needed to be a team. The kids who were in some nonsense thing called ‘the play’. The only play I was interested in was what was going on at home-plate. I didn’t get the drama kids. Nor they me.

I now had drama kids.

And believe me, there were dramas. Between hair and makeup and late nights and a very cold theatre, there were dramas. And that’s just for the adults. (Did I mention it went for FOUR NIGHTS?). But in the spirit of all things social media-y, I only posted the smiling pics of us all sharing beautiful times. I did not post my contorted maw, yelling at children to sit still whilst I brushed the knots out of stage-hair at 10pm. I did not post children crying from being accused of being tired and unreasonable, when they “clearly” were not. I did not post the stringy hot glue getting all over my hands and bench tops when I tried to glue the stupid felt leaves to the costume. I did not post the kid crying with nerves and excitement on opening night, saying they didn’t want to be in the play any more, and me saying “Don’t you dare drop a tear on your cheek, and ruin that make-up.”

No, I posted the best of. Because that is what we do.

The other thing we do, is we surrender to the process. The Primary School Musical has a way of drawing you in, and even if you struggle to stay away from this drama-nerdism, you are engulfed. And if you let yourself, you find out some things.

When you drop the kids to the Green Room, there is an energy that erases all of the previous turmoil. Children are bounding about like big-eyed puppies at the playground and doing the kid version of sniffing each others nether regions. They are full.

Before the show starts, the children do a warm-up song, and if you spy through the crack in the door, you can see them singing as if one, faces as beatific as when they are asleep. It can stop time, and take your breath away.

During the play, they support each other in ways you wouldn’t imagine. They gently help out those who have been overcome by nerves and misplaced lines. They laugh with each other, not at each other at the various foibles, realising that they are all together in this.

After the play, they gather together to smile and congratulate themselves and each other in a completely unselfconscious way. They get changed in the same room, the younger children admire the older ones as deity, and the older ones know the small ones by name, and say things like, “Good job Coco, see you tomorrow.” The small ones then walk a little taller.

On the final night, just before opening, the musical director gives his last address, and it’s similar to a coach on grand final day. He congratulates and thanks them for their endeavours so far, and spurs them on to achieve greatness at this finale. But even more, he reminds them of the beauty of art and song, and encourages them to play big. He tells them a secret that will stay with them forever: that if they give their all, then that effort will be reflected back to them in the faces of the audience. He points to his heart, and tells them that this is what they will touch.

And they do.

And it does.

*This may not be true. Only the walls (and my neighbours) will know for sure.

…From The Ashers